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Red Dot, On Netflix, Misses Its Shot



Full review herehttps://www.filmcompanion.in/readers-articles/red-dot-movie-review-netflix-misses-its-shot/

A woman instinctively turns into a fighter when she is loaded with the responsibility of caring for her child. This fact may partly be the reason for Nadja’s (Nanna Blondell) impulse to elongate a tiff with two local boys. She is pregnant and on a ski trip with her husband, David (Anastasios Soulis). It’s David who unintentionally puts a “tiny scratch” on the boys’ car. They take revenge by denting his car. The score is now equal, but when the couple comes across the vehicle again, Nadja takes a screwdriver and sketches a big horizontal line on their door. Director Alain Darborg with writer Per Dickson mounts the plot of the Swedish film Red Dot on these incidents. As a viewer, you predict Nadja’s actions will bring harmful consequences because the two boys are introduced in a villainous style as they ogle at Nadja. Red Dot panders to your expectations when it reveals a red laser dot from a sniper inside David and Nadja’s tent at night. If you suspect the boys to be the perpetrators (which many would expectedly believe), then you are on the same page as the film. 

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