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The Map of Tiny Perfect Things Movie Review - In The Loop For Love

Kathryn Newton makes it worth another iteration in this another time loop. 


Whatever phenomena trapped Phil in a time-loop way back in 1993 has gone on to imprison many more protagonists in recent years. We have Major William Cage from Edge of Tomorrow and Tree Gelbman from Happy Death Day films, to name a few (or two). But the film you will be reminded of the most while watching Ian Samuels' The Map of Tiny Perfect Things is the terrific Palm Springs. Like Max Barbakow's 2020 sci-fi/comedy, we again have not one but two characters stuck in an infinite circle of the same day. In Palm Springs, the boy got comfortable with the routine while the girl became determined to find a way out of the never-ending coil. Here, the roles are reversed though The Map of Tiny Perfect Things provides a personal reason for the girl's "comfort."

We start off with the boy. He is Mark (Kyle Allen). When we meet him, he is already at ease with the whole scenario. Without looking at his father's (Josh Hamilton) tablet, he gives away answers to the crossword puzzle. He even completes lines in total sync with his sister (his athletic body is worshiped in the sequence as he does amazing stunts with the bread and whatnot). As he rides around the city on his cycle, the camera follows him with a sense of familiarity. It's as if it has been accompanying him for a long time now. When he starts to walk, we are treated with a brief uninterrupted long take to highlight how aware Mark has become about his surrounding. He says "bless you" before a man sneezes and gives directions to a girl who does not ask for it but clearly needs it. 

If you are a boy stuck in a loop, the most natural thing you would first try to do is to make your crush swoon over you by using a series of trial-test methods. Maybe after some time, you will start focussing on "other fishes in the sea." This is what Phil did in Groundhog Day, and this is what Mark's friend Henry (Jermaine Harris) advises him to do when he presents his situation in a hypothetical way to him. Mark sets the target on the girl to whom he gave directions. Every day near the public swimming pool, he tries saving her from the ball, which is timed to hit her at a particular instance. Suddenly one day, his heroic act is unintentionally stolen by some other girl. Enter Margaret (Kathryn Newton), the other entity beside Mark, who is au courant with the ongoing time loop.

Almost everybody in The Map of Tiny Perfect Things is capable enough to reference other films based on the loopy situation whenever presented with the facts by our protagonists. Henry brings up Groundhog Day and Edge of Tomorrow while Mark's math teacher is on the verge of naming some, "Wasn't there a movie..." These movies use the repetition of time to bring out admiration for our allegedly humdrum surrounding. They say it's the person who is boring and that they need to widen their perspective and start making a note of the events happening around them. Only then can someone start appreciating this wonderful life. You may be walking down the street lost in your thoughts, completely missing something amusing taking place directly opposite to you on the other side of the street. The Map of Tiny Perfect Things does precisely this. Mark and Margaret roam around the city to spot all the perfect moments, thinking it would free them from their situation. The perfect moments consist of a bird catching fish from the sea, an old woman dancing after a win, a man sitting in just the right way so that the wings painted on a van line-up behind him in a manner that makes him look like an angel, and so on.

Allen exhibits a limited range. His sad face, happy face, frustrated face, all faces appear almost the same. He is used as a "pretty face," a heart-throb for pleasing teenage girls in the audience. Newton, on the other hand, is more than a pretty face. She elevates the film with her consummate performance. When Mark tries to kiss Margaret, she withdraws and offers to be either friends or nothing. Newton's eyes radiate tenderness while the rest of the face is forlorn. It's as if she is afraid that Mark might reject her offer, leaving her in isolation. After all, she has now started enjoying his company. Another marvelous scene occurs with Newton at a store when she draws a 4D cube on a window. For a few minutes, she is shown from outside the window. What we get is an image of her, along with reflections of cars moving on the roads. She could have been shot from inside the store from different angles. But this framing, where she is sort of kept between the cube and the moving vehicles, highlights that she is the centerpiece of the incident. The same is later said by Mark, but then the delivery feels a bit dotish - "It wasn't my story at all. It was Margaret's."

The two actors give dissimilar performances, but their chemistry works well. Their time together at the gym where Mark recreates Moon landing for Margaret (she wants to be an astronaut) is filled with the kind of warmth you can find only between a real couple. The song choices and the soothing background score is aptly selected as it vibes of something that at least I would love to hear if trapped in an eternal spiral. There are times when Lev Grossman's screenplay (adapted from his short story of the same name) supplies convenience to the plot. Like the case of the phone number, which ideally should have been deleted by the next day/present day. Or the fact that all the "perfect moments" transpire at different times. None of them clash with each other. It's a testament to Newton's skills and the overall gravity present in the middle of this couple that you, anyway, end up attracting towards them. Their relationship, along with some moving moments, reinvigorates this time loop for another iteration. 

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